Table One reflects a universal heritage that is fixed without time or place. With an emphasis on function and the sensory response, this vast table makes generous use of solid wood and is designed to be passed from generation to generation, earning the value of time and marks of memories past. Originally designed in Douglas Fir only, two sizes are now additionally available in our full range of timbers/finishes.
SIZE
501L
W260 × D100 × H75 cm
W102 2/5 × D39 2/5 × H29 1/2 ”
501G
W320 × D100 × H75 cm
W126 × D39 2/5 × H29 1/2 ”
LEAD TIME
16 weeks. More information here.
501
Available in black walnut, white oak, or ash in a range of finishes. See menus below for further material information.
Crafted at the solar-powered De La Espada factory in Portugal. Designed by a creative partner and rigorously engineered with the support of our in-house product development team and expert craftspeople. Durability, comfort and aesthetics combine for a product that lasts a lifetime.
Timber is sustainable solid wood from North America or Europe, offering long-term repairability of the surface. Natural colour and grain variations in every plank makes each piece an individual. Traditional wood joinery bonded with wood glue ensures structural integrity. All finishes are non-toxic and applied by hand, sprayed or rubbed.
DOWNLOADS
Download product-specific information from our Resource Library here.
Find care information here.
Manuel Aires Mateus is an award-winning Lisbon-based architect whose projects explore the roles of memory and knowledge combined with the relationship between the physical and cultural worlds. His work seeks to reflect every scale of our lives and searches for the enduring state of shape and materiality.
With an emphasis on function and the sensory response, his collection for De La Espada reflects a universal heritage that is fixed without time or place. Utilising astonishingly proportioned planks of Douglas Fir timber, the furniture is designed to be passed from generation to generation, earning the value of time and marks of memories past.
“Our central point in all of the projects is the way that people are going to live. It’s always about this idea of how people could feel in these spaces more than, let’s say, image. So it’s also the way you touch, the colour, the smell, the memories that you can achieve and the common memories that we all have about this material,” Manuel Aires Mateus.
